Democracy under Construction:
From the streets to the squares – Experience, analysis, documents
Edited by Christos Giovanopoulos and Dimitris Mitropoulos
A/synechia Publishing, December 2011, Athens, 352 pages
language: Greek, including DVD
ISBN: 978-960-6625-22-0
On the 25th May 2011, only ten days after the appearance of the Spanish indignados’ movement, major cities across Greece saw the explosion of a massive movement occupying their central squares. According to surveys made by mainstream media, more than 25% of the Greek population participated in this movement, expressing their anger against the corruption and the impunity of the political regime and the IMF-EU led neoliberal restructuring following the Greek bailout. More importantly, for almost two months this movement experienced and gave life to “direct democracy” as a new form of organising the public sphere, political participation and strategy from below. At the same time it altered radically the terrain of political and social struggles in Greece, leading to the blockage of the austerity measures and the fall of Papandreou government.
This book is the first attempt to document, assess and analyse in depth what occurred during the summer of 2011 at the Greek squares. It is also an attempt to keep open and continue the discussion, practices and questions that this heterogenic and polymorphic movement raised for a radical change of representative politics and the capitalist system as a whole, as well as for the strategies of the antagonistic movements as such. The chapters of the book have been written by activists and academics who participated actively in the people’s assemblies and the working teams of the movement, with some of them being in the heart of its evolution from the very first moment. As such they provide a unique insight into the movement, encompassing an analytical perspective that springs from the necessities and challenges the indignants had to face and stand up against.
Some of the issues the book deals with include: How were the squares occupied “so suddenly”? What was the “indignants” phenomenon? What was the meaning of, and what issues brought forth the demand for “real” or “direct democracy”? What were its potential and its limits? What kind of a new public sphere did it create? Which new characteristics did it bring, regarding the culture of the political organisation of social movements? In what ways was it related to previously existing political subjects and forms of organisation? How did it challenge the political status quo? What was its relation with previous social explosions, such as that of December 2008, and with movements against the crisis, such as the “No Pay” campaigns? What kind of questions, experiences and processes towards the formation of new subjects did it produce? Is there any possibility for its “transition” or reflection on the level of established politics and in what way? What was the role of new social media in the movement’s occurrence and organising tactics? What was the role of the local, national and global elements in its formation and how were these interrelated? What kind of art did it produce? How did it relate with other indignants’ movements on an international level?

